LINA VISTE GRØNLI

Born in 1976, lives and works in Oslo and Boston

• EDUCATION
• 1999-2003    National Academy of Fine Arts, Norway
• 1998-1999    Århus Art School, Denmark
• SOLO SHOWS
  
• 2021
• Nye Arbeider, Pyton, Lyzaker
• Benkene til Kim, public art, Vågsalmenningen, Bergen
• 2020
• Words, Christian Andersen, Copenhagen,
• 2018 
• Kunsthall Stavanger, Untitled Art Fair, San Francisco
• 2019
• Nye Skulpturer, Entrée, Bergen
• 2017
• Ygoloeahcra, Gaudel de Stampa, Paris
• 2016
• Euros, Saloon, Brussels
• Pentimento, Christian Andersen, Copenhagen
• 2015
  
• MIT List Visual Art Center, Cambridge, USA
  DIVORCE, Gaudel de Stampa, Paris
  Christian Andersen, Copenhagen, Denmark
  The Peace Clock, permanent sculpture, Trygve Lie Plaza, Manhattan, NYC
  Onomatopoeic Labyrinth Park, permanent sculptural installation, Villa Birkeli, Oslo
• 2014
  Tinging, Kunstnerforbundet, Oslo
  Frieze Frame New York, Christian Andersen
  
• 2013
  Tinging, Stavanger Kunsthall, curated by Hanne Mugaas
  Thinging, Maison d’art Bernard Anthonioz, Nogent, France
  
• 2012
  Friends, Countrymen, curated by Lina Viste Grønli, Gaudel de Stampa, Paris
  Phil Collins in Eurythmics, Christian Andersen, Copenhagen
• 2011
  Fruits, Flowers and Clouds : Contemporary Art Fair, MAK – Austrian Museum of Applied Arts, Vienna
  The Alphabet & Other Writings, Wiels Contemporary Art Centre, Project Room, Brussel
• 2010
  Feminism & Selected Writings, Gaudel de Stampa, Paris
  Monkey See, Monkey Do, LANDINGS Projectspace, Vestfossen, Norway
• 2009
  Effigies, Gallery Art Since the Summer of ’69, NYC
  Letrs from Prisn, Johan Berggren Gallery, Malmö, Sweden
  I Don’t Know, Galleri F15 (project room), Moss, Norway
• 2008
  Grace Jones Sculpture Project, Gaudel de Stampa, Paris
• 2005
  FERDIG / FINISHED, UKS, Oslo
  Japanese Piece, Soria Moria Japan Festival, Oslo
  ARBEIDERPARTIET, Rogaland Kunstsenter, Stavanger
• GROUP SHOWS (since 2009)
• 2022 
• Pyton Place, London Craft Week, London
• 2021 
• Stone Age, Gaudel de Stampa, Paris
• Rites of passage, Kunstnerenes Hus, Oslo
• 2020 
• Et Kollektivt Kaosmos, Kunsthall Oslo, Oslo
• Unfolding Questions, Codes, and Contours, Trømsø Kunstforening,
• Julebord-setting, Pyton, Lysaker
• 2019
  Street Moves, Carl Louie, Toronto
• B, Belmacz, London
• Showrunners, Bel Ami, Los Angeles
• Condo London, Christian Andersen / Union Pacific, London
• 2018 
• Machine Gun Etiquette, Belmacz, London
• I found a weed, Greenlease Gallery, Kansas City
• når himmelen klarner, CCA Andratx, Mallorca
• 2017
• Membran, Warhus Rittershaus, Cologne (forthcoming April)
• When attitudes become multiform, curated by Tim Hollander, Van Eyck Academie, Maastricht
• ‘Public Information’, Carl Louie, London, Ontario
• 2016
• Givens, AA | LA, Los Angeles
• One, No One and One Hundred Thousand, Kunsthalle Wien, Vienna
• ‘me sowiendra (ou l’usage de la parole)’, curated by Arlène Berceliot Courtin, Index, Paris
• Raising Cattle, Montreal, Quebec
• ‘INTERKONTINENTAL’, Belmacz Gallery, London
• 2015
• Moucharabieh, Le Triangle, Marseille
• 2014
  Puddle, Pothole, Portal, curated by Ruba Katrib and Camille Henrot, Sculpture Center, New York 
  Residency Exhibition, curated by Lorenzo Benedetti, Wiels Contemporary Art Centre, Brussels
  Domesticity V, curated by Lucie Fontaine, Bali, Indonesia
  Démocratie, curated by Edouard Montassut, Tripode, Rezè, France
• 2013
  Show and Tell: Calder Jewelry and Mobiles, Salon 94, New York
  Flag New York City, Performa13, Performa Hub, New York
  Practicing Haydn (Piano Sonata in Eb, Hob XVI:45 finale), Performa13, Performa Hub, New York
  Sound Versus System, curated by Will Bradley, Kunsthall Oslo, Oslo
  Cloud Hosting, curated by Tim Saltarelli, Rachel Uffner Gallery, New York
• 2012
  The Armory Show – Nordic Focus, New York
  The Art of Cooking, curated by Hanne Mugaas, Royal T, Culver City, Los Angeles
• 2011
  ‘Madame Realism’, Marres Centre for Contemporary Culture Maastricht, curated by Lisette Smits
• 2010
  Words & Untitled, Four Boxes Gallery, curated by Am Nuden Da, Krabbesholm, DK
  Lillestrøm, curated by Geir Haraldseth, Lillestrøm, Norway
  No Soul for Sale, Torpedo Press, Tate Turbine Hall, London
• 2009
  Going to Market, curated by Caroline Ugelstad, Henie Onstad Artcenter, Oslo
  Session_7_Words , Am Nuden Da, London
  The Mind of this Death is Unrelentingly Awake, curated by Will Bradley, Office for Contemporary Art (OCA), Oslo
  Look Back w/ Nils Bech, Tanya Leighton gallery, Berlin
  Look Back w/ Nils Bech, Performa 09, NYC
  As Small as it Gets, Gallery Art Since the Summer of ’69, NYC
  Les Formes Féminines, Galerie de la Friche Belle de Mai, Marseille
  Women Get Fucked, Alagon Gallery, Chicago
  Grave Accent, Galerie Micky Schubert, Berlin
•  

• PUBLICATIONS
• 2015
• “Library”, Torpedo Press
  2012
  Grace Jones On Sculpture, Torpedo Press
  2011
  The Albaphet & Other Writings, Wiels Contemporary Art Center, Brussels
  2007
  Partially Built Woodshed (On Robert Smithson), (Editor)
  The New Administration of Aesthetics, Torpedo Press (Design)
  2005
  Lina Viste Grønli, exhibition catalogue
  2002
  Brace Yourself For the Big One (OKTOKYO), www.rollon.net

• PUBLIC COLLECTIONS
• Statoil Art Collection
• Oslo Kommunes Kunstsamlinger

• GRANTS
• 2013
  1 Year working grant, BKH
• 2010
• 1 year Norwegian State working grant
  Yaddo Artist Colony Fellowship, NY
  Wiels Contemporary Art Centre Residency, Brussels
• 2009
• 1 year working grant, BKH (Visual Arts Foundation, Norway)
• 2008
• Arts Council Norway
• 2007
• Cite International des Arts, Paris
  Arts Council Norway
• 2006
• 3 year Norwegian State working grant
• 2005
• laspis residency, Nifca
  Arts Council Norway