Biography


LINA VISTE GRØNLI

Born in 1976, lives and works in Oslo and Boston

 

  • EDUCATION
  • 1999-2003    National Academy of Fine Arts, Norway
  • 1998-1999    Århus Art School, Denmark
  • SOLO SHOWS
  • 2021
  • Nye Arbeider, Pyton, Lyzaker
  • Benkene til Kim, public art, Vågsalmenningen, Bergen
  • 2020
  • Words, Christian Andersen, Copenhagen,
  • 2018 
  • Kunsthall Stavanger, Untitled Art Fair, San Francisco
  • 2019
  • Nye Skulpturer, Entrée, Bergen
  • 2017
  • Ygoloeahcra, Gaudel de Stampa, Paris
  • 2016
  • Euros, Saloon, Brussels
  • Pentimento, Christian Andersen, Copenhagen
  • 2015
  • MIT List Visual Art Center, Cambridge, USA
    DIVORCE, Gaudel de Stampa, Paris
    Christian Andersen, Copenhagen, Denmark
    The Peace Clock, permanent sculpture, Trygve Lie Plaza, Manhattan, NYC
    Onomatopoeic Labyrinth Park, permanent sculptural installation, Villa Birkeli, Oslo
  • 2014
    Tinging, Kunstnerforbundet, Oslo
    Frieze Frame New York, Christian Andersen
  • 2013
    Tinging, Stavanger Kunsthall, curated by Hanne Mugaas
    Thinging, Maison d’art Bernard Anthonioz, Nogent, France
  • 2012
    Friends, Countrymen, curated by Lina Viste Grønli, Gaudel de Stampa, Paris
    Phil Collins in Eurythmics, Christian Andersen, Copenhagen
  • 2011
    Fruits, Flowers and Clouds : Contemporary Art Fair, MAK – Austrian Museum of Applied Arts, Vienna
    The Alphabet & Other Writings, Wiels Contemporary Art Centre, Project Room, Brussel
  • 2010
    Feminism & Selected Writings, Gaudel de Stampa, Paris
    Monkey See, Monkey Do, LANDINGS Projectspace, Vestfossen, Norway
  • 2009
    Effigies, Gallery Art Since the Summer of ’69, NYC
    Letrs from Prisn, Johan Berggren Gallery, Malmö, Sweden
    I Don’t Know, Galleri F15 (project room), Moss, Norway
  • 2008
    Grace Jones Sculpture Project, Gaudel de Stampa, Paris
  • 2005
    FERDIG / FINISHED, UKS, Oslo
    Japanese Piece, Soria Moria Japan Festival, Oslo
    ARBEIDERPARTIET, Rogaland Kunstsenter, Stavanger
  • GROUP SHOWS (since 2009)
  • 2022 
  • Pyton Place, London Craft Week, London
  • 2021 
  • Stone Age, Gaudel de Stampa, Paris
  • Rites of passage, Kunstnerenes Hus, Oslo
  • 2020 
  • Et Kollektivt Kaosmos, Kunsthall Oslo, Oslo
  • Unfolding Questions, Codes, and Contours, Trømsø Kunstforening,
  • Julebord-setting, Pyton, Lysaker
  • 2019
    Street Moves, Carl Louie, Toronto
  • B, Belmacz, London
  • Showrunners, Bel Ami, Los Angeles
  • Condo London, Christian Andersen / Union Pacific, London
  • 2018 
  • Machine Gun Etiquette, Belmacz, London
  • I found a weed, Greenlease Gallery, Kansas City
  • når himmelen klarner, CCA Andratx, Mallorca
  • 2017
  • Membran, Warhus Rittershaus, Cologne (forthcoming April)
  • When attitudes become multiform, curated by Tim Hollander, Van Eyck Academie, Maastricht
  • ‘Public Information’, Carl Louie, London, Ontario
  • 2016
  • Givens, AA | LA, Los Angeles
  • One, No One and One Hundred Thousand, Kunsthalle Wien, Vienna
  • me sowiendra (ou l’usage de la parole)’, curated by Arlène Berceliot Courtin, Index, Paris
  • Raising Cattle, Montreal, Quebec
  • ‘INTERKONTINENTAL’, Belmacz Gallery, London
  • 2015
  • Moucharabieh, Le Triangle, Marseille
  • 2014
    Puddle, Pothole, Portal, curated by Ruba Katrib and Camille Henrot, Sculpture Center, New York 
    Residency Exhibition, curated by Lorenzo Benedetti, Wiels Contemporary Art Centre, Brussels
    Domesticity V, curated by Lucie Fontaine, Bali, Indonesia
    Démocratie, curated by Edouard Montassut, Tripode, Rezè, France
  • 2013
    Show and Tell: Calder Jewelry and Mobiles, Salon 94, New York
    Flag New York City, Performa13, Performa Hub, New York
    Practicing Haydn (Piano Sonata in Eb, Hob XVI:45 finale), Performa13, Performa Hub, New York
    Sound Versus System, curated by Will Bradley, Kunsthall Oslo, Oslo
    Cloud Hosting, curated by Tim Saltarelli, Rachel Uffner Gallery, New York
  • 2012
    The Armory Show – Nordic Focus, New York
    The Art of Cooking, curated by Hanne Mugaas, Royal T, Culver City, Los Angeles
  • 2011
    ‘Madame Realism’, Marres Centre for Contemporary Culture Maastricht, curated by Lisette Smits
  • 2010
    Words & Untitled, Four Boxes Gallery, curated by Am Nuden Da, Krabbesholm, DK
    Lillestrøm, curated by Geir Haraldseth, Lillestrøm, Norway
    No Soul for Sale, Torpedo Press, Tate Turbine Hall, London
  • 2009
    Going to Market, curated by Caroline Ugelstad, Henie Onstad Artcenter, Oslo
    Session_7_Words , Am Nuden Da, London
    The Mind of this Death is Unrelentingly Awake, curated by Will Bradley, Office for Contemporary Art (OCA), Oslo
    Look Back w/ Nils Bech, Tanya Leighton gallery, Berlin
    Look Back w/ Nils Bech, Performa 09, NYC
    As Small as it Gets, Gallery Art Since the Summer of ’69, NYC
    Les Formes Féminines, Galerie de la Friche Belle de Mai, Marseille
    Women Get Fucked, Alagon Gallery, Chicago
    Grave Accent, Galerie Micky Schubert, Berlin
  •  
  • PUBLICATIONS
  • 2015
  • “Library”, Torpedo Press
    2012
    Grace Jones On Sculpture, Torpedo Press
    2011
    The Albaphet & Other Writings, Wiels Contemporary Art Center, Brussels
    2007
    Partially Built Woodshed (On Robert Smithson), (Editor)
    The New Administration of Aesthetics, Torpedo Press (Design)
    2005
    Lina Viste Grønli, exhibition catalogue
    2002
    Brace Yourself For the Big One (OKTOKYO), www.rollon.net

 

  • PUBLIC COLLECTIONS
  • Statoil Art Collection
  • Oslo Kommunes Kunstsamlinger
  • GRANTS
  • 2013
    1 Year working grant, BKH
  • 2010
  • 1 year Norwegian State working grant
    Yaddo Artist Colony Fellowship, NY
    Wiels Contemporary Art Centre Residency, Brussels
  • 2009
  • 1 year working grant, BKH (Visual Arts Foundation, Norway)
  • 2008
  • Arts Council Norway
  • 2007
  • Cite International des Arts, Paris
    Arts Council Norway
  • 2006
  • 3 year Norwegian State working grant
  • 2005
  • laspis residency, Nifca
    Arts Council Norway